Mina Loy died of pneumonia on September 25, 1966.
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She wrote an unpublished play, "The Sacred Prostitute," (circa 1914), the pamphlet Psycho-Democracy (1920), and several poems published in the Little Review (1920 issues), all reflective of her conversion to Futurism, which like Christian Science (something she had expressed in an interest in when her first child died), fostered positive thinking. In 1910 she wrote a thirty-four-poem montage about disillusioned love, but her greatest influence in poetry was felt between 19. She was part of the modernist revolution in poetry and her work was praised by literary figures such as Gertrude Stein and Ezra Pound. Her writings were experimental employing verbal and visual techniques to express her philosophies and passions. Mina Loy's poetry reflected the chronology of her life. She read her poetry to guests and gave interviews. It was also whilst in New York that Mina met Arthur Cravan, the man who went on to be the great love of her life.Īs the years progressed, Mina continued to travel a gteat deal and even in old age, as her health declined, Mina continued to receive visitors, having become renowned as a modernist poet worthy of attention. During her time there she was quickly accepted and welcomed into into the ever-changing circle of American and expatriate poets and artists of the day. However, one woman’s fate is determined by her weakness, while the other is determined by her strength. Both wof these also went on to become her lovers when she separated from Stephen in 1913.īy 1917 Mina had moved to New York where her poetry had already begun appearing in a number of publications. Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired. Two who were particularly prominently in her life were F.
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The Italian Futurists Mina met whilst in Florence proved to be a great inspiration to her poetry. When Mina was twenty-three she and Stephen moved to Florence, Italy, and it was here that she began to emerge as a poet. Among them were Gertrude and Leo Stein, Guillaume Apollinaire, Pablo Picasso, and Auguste Rodin. They had three children over the years, although their first child died after only a dew days.ĭuring the years Mina and Stephen spent in Paris, Mina met many emerging modernist artists and writers. She and Stephen married on 31st December 1903. It was also in Paris that she met her husband Stephen Haweis. It was in Paris that she changed her name to Loy, in an attempt to distance herself from her Jewish heritage. She continued her art studies on her return to England and later moved to Paris.
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She grew up in a repressed and volatile household and received only an informal education.Īt the age of seventeen Mina moved to Munich in order to study art. The papers span the dates 1914-1960.Mina Loy was born Mina Gertrude Lowy in London, England on 27th December 1882 to a Jewish father and Protestant mother.
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The Mina Loy Papers contain prose, poetry, drawings, designs, and copyright inventions documenting the life of modernist poet and artist Mina Loy. Two collections of her poems were published during her lifetime, Lunar Baedecker (Paris: Contact Editions, 1923) and Lunar Baedeker & Time-Tables (Highlands, N.C.: Jargon, 1958) another collection, The Last Lunar Baedeker (Highlands, N.C.: Jargon, 1982), appeared posthumously. Her talent, intellect, and exceptional beauty made her one of the central figures of the literary and artistic avant garde who later gathered around Alfred Stieglitz, Walter Conrad Arensberg, and Alfred Kreymborg in New York.Īlthough Loy was a multi-gifted woman, her fame largely rests with her poetry, which is daring in its technical experimentation and feminist in its exploration of female oppression. Mina Loy (1882-1966), the modernist poet, painter, playwright, actress, and designer of lampshades, lived in Europe during the height of the Futurist, Dada, and Surrealist movements.